巨蟒剧团电影版

巨蟒剧团电影版

Old Trafford. 12th Sept 1970. Manchester United vs Coventry. Not an important match in itself, but a record was preserved of it that is probably unique in the history of film and television. Using eight 16mm cameras, Hellmuth Costard, one of the most important experimental filmmakers in German cinema of the 60s and 70s, followed every move over the 90 minutes of the man in the red no. 11 shirt – George Best. What at first seems like an eccentric experiment turns in the course of the film into something much more valuable: a clear view of the great man's progress through an entire match, his attempts to "read the game" and an insight into how carefully a player like Best paces himself during the course of an entire game.

Old Trafford. 12th Sept 1970. Manchester United vs Coventry. Not an important match in itself, but a record was preserved of it that is probably unique in the history of film and television. Using eight 16mm cameras, Hellmuth Costard, one of the most important experimental filmmakers in German cinema of the 60s and 70s, followed every move over the 90 minutes of the man in the red no. 11 shirt – George Best. What at first seems like an eccentric experiment turns in the course of the film into something much more valuable: a clear view of the great man's progress through an entire match, his attempts to "read the game" and an insight into how carefully a player like Best paces himself during the course of an entire game.

一群年轻人为了保护一座废弃的城堡，与假想中的进攻者作战。

一群年轻人为了保护一座废弃的城堡，与假想中的进攻者作战。

即将要毕业的我们，脑子里浮现的第一个词无非只有“迷茫”两字… 曾经有人跟我说过：“想成为什么人，不在于你的能力，而是选择！ 愿成为大人的你，至少不要忘记自己！ 年轻人，山高路远，顶峰见！！！

两个被困在大阪的男孩，黑暗的小屋，困顿的彼此，解救对方，互相救赎。